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Fiona Morrison��is an Associate Professor in the School of the Arts and Media at ������Ʒ, where she teaches and supervises in the areas of postcolonial and world literatures, Australian literature and women’s writing. Her most recent book is��Christina Stead and the Matter of America��(2019), and she is currently working on two projects: a book-length study of Henry Handel Richardson an edited volume of scholarly essays on Eleanor Dark:��Time, Tide and History: Selected Essays on Eleanor Dark��(forthcoming SUP 2023).

Books

Morrison, F and B. Rooney. Eds. Time, Tide and History: Selected Essays on Eleanor Dark. Sydney: Sydney University Press, 2023 (in press)

Morrison, F. Christina Stead: The Matter of America. Sydney: Sydney University Press, 2019 (Won the Walter McRae Russell Award for Literary Scholarship 2021; nominated and shortlisted for the AUHE Prize for Literary Scholarship 2020 and nominated and shortlisted for the Dean’s Research Awards�� for Best Monograph 2020.

Morrison, F. Ed.����Dorothy Hewett: Selected Prose. Nedlands: University of Western Australian Press, 2011.

Morrison, F and M. Parker. Masters in Pieces: The English Canon for the Twenty-First Century. Melbourne: Cambridge University Press, 2006.

Journal articles

Morrison, F. “Leaving the Party: Dorothy Hewett, literary politics and the long 1960s.” Southerly 73.4 (2012) In press.

Morrison, F. “’I must have a mask to hide behind’: Signature, Imposture and Henry Handel Richardson.” JASAL Special Issue: Archive Madness (2011).

“The Quality of 'Life': Dorothy Hewett’s Literary Criticism” JASAL 10 (2010).

“The Elided Middle: Christina Stead’s For Love Alone and the Colonial ‘Voyage In. ’ Southerly 69:2 (2009): 155-174.

“On Foreign Ground: Expatriate Masculinity and the Unhomely Woman in Henry Handel Richardson’s Maurice Guest.” Southerly 61:2 (2001): 64-79.

“Figures of the Many and the One: Gender, Genre and Narrative Structure in Tim Winton's Cloudstreet.” Sydney Studies in English 25 (1999): 133-151.

Morrison, F. (2021). “’Deep Digging’: Henry Handel Richardson, Transnational Allegory and the Unsettled Epic.” Affirmations: of the Modern 7.1 (2021): 72-83.

Morrison, F. (2018). “The Antiphonal Time of Violence in Leah Purcell’s The Drover’s Wife. Southerly 78 (3): 173-191. Print.

Morrison, F. (2017). “A Transfiguration of my Local Patriotism”: Christina Stead, the figure of oceanic totality and ‘A Night on the Indian Ocean’. Westerly, 2 (62): 87-100. Print

Morrison, F., & Rooney, B. (2016). Introduction "Rediscovering Christina Stead". Australian Literary Studies. Web

Morrison, F. (2016). ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind. Australian Literary Studies. Web

Book chapters

Morrison, F. ‘The American Introduction: Perfect Readers, Unread Books and Christina Stead’s The Man Who Loved Children.’ Republics of Letters: Literary Communities in Australia. Ed. Peter Kirkpatrick. Sydney: Sydney UP (forthcoming, January, 2012)

Morrison, F. ��“The ‘American Dilemma’: Christina Stead’s Cold War Anatomy”. Reading Across the Pacific: United States-Australian Intellectual Histories. Edited by Nicholas Birns and Robert Dixon. Sydney: University of Sydney Press. In press.

Morrison, F. ��“’The Cruel Book’: Political Satire and the Female Satirist in I'm Dying Laughing.” 2000. In The Magic Phrase: Critical Essays on Christina Stead. Ed. M.A. Harris. Studies in Australian Literature Series. St Lucia: University of Queensland Press, 2000. Reprinted in Gale/Cengage. Twentieth Century Literary Criticism vol. 226. Belmont: Gale/Cengage Learning 2010.

Morrison, F. ��“The Rhetoric of Sensation: Austen, Bronte and the ‘Gothic Romance.’” Proceedings of the English Association Conference, 2010. Ed. Richard Madeleine. Sydney: The English Association, 2010.

Morrison, F. ��“To Have Loved and Lost: Life Writing and the Rhetoric of Consolation.” New Directions: Proceedings of the English Association Conference, 2008. Ed. Richard Madeleine. Sydney: The English Association, 2008. 110-121.

F. Morrison and M. Harris. Introduction. The Little Hotel. By Christina Stead. Sydney: Richmond, 2003.

Conference proceedings

“Anglo-Celtic Elegy: Reading the Cultural Hyphen.” Origins and Revivals: Proceedings of the First Australian Conference of Celtic Studies 2001. Ed. G. G. Evans. Sydney Series in Celtic Studies. Sydney: The Centre for Celtic Studies, 2001. 457-470.

Academic reviews

Morrison, F. Review of Nine Lives by Susan Sheridan

Morrison, F. The Young Dancer.” Review of Dorothy Hewett. The Gypsy Dancer. Ed. Christine Alexander and others. Sydney: Juvenilia Press, 2009. Accepted for Southerly 71:2 (2010).

Morrison, F. “Ghostbusting”. Review of Teresa Peterson. The Enigmatic Christina Stead: A Provocative Re-reading. Melbourne: MUP, 2000. In Overland 168 (2002): 102-106.